Catherine "Kitty" Genovese was
raped and murdered outside her apartment building in the early
morning hours of March 13th, 1964. Thirty-eight of her friends
and neighbors witness the crime occurring, but no one calls police
or in any way tries to save her life. Psychologists would
later coin the terms "urban apathy" and "bystander effect" in an
attempt to describe the circumstances surrounding Kitty's death
and explain the actions of the many witnesses. With the ultimate
goal of starting a public dialogue on the issues surrounding Kitty
Genovese's murder, Bread & Water Theatre recently launched a
workshop production of Witnesses... devoted to the
crime that made the name "Kitty Genovese" famous. Originally
featured in a series of staged reading at the "No Frills" Film and
Arts Festival and at the Henrietta Public Library, Bread & Water
Theatre is proud to develop the play The
Witnesses of Kitty Genovese by
J.R. Teeter.
Little about Kitty Genovese is
known as it was her death that made her famous. She lived in Kew
Garden, Queens with her partner Mary Anne Zielonko and was
murdered on the anniversary of the day they first met. Kitty's
brother William was only 16 when she died, but the circumstances
surrounding her death led him to join the Marines and enter the
conflict in Vietnam. He would become wheelchair bound when a
landmine he was disarming exploded on March 13th, 1967, the third
anniversary of Kitty's murder.
"Although some of the
circumstances of the play appear to be coincidental, tragedy as a
whole rarely has anything to do with luck. To anyone that has
ever lost a loved one you understand that your life from that
point on will be forever changed. When that loss is due to
violence, the pain is all the more egregious. Our goal in this
production is not to point the figure or to lay blame. I want the
audience to revisit this crime and say 'what could we have done
differently?' because despite technological innovations like cell
phones, 911 system, and anonymous tip lines people like Kitty
Genovese are being killed everyday and no one is taking that step
forward. No one is challenging the pattern of indifference."
Said Artistic Director and playwright J.R. Teeter.
Fascinated by historical events,
J.R. Teeter first
constructed the play The Witnesses of Kitty
Genovese in the spring of 2004
under the guidance of Maria Mazziotti Gillan a poet and head of
the Creative Writing Department at Binghamton University.
“Constructed is the appropriate term as the entire play is taken
from first hand accounts of what happened that night, says J.R.
Teeter, “I compiled over 500 pages of parole hearing minutes,
trial transcripts, television interviews, and newspaper articles
on the crime. Through this information, the story of the last
night of Kitty Genovese is told. I think it’s important for
people to experience as much of the whole story as possible as the
media has the tendency to focus just on the salaciousness of her
murder and little else. I am
also eternally in debt to Professor Gillan who helped me elevate
the sometimes mundane material to the realm of poetry. Her steady
hand really helped to guide my work.”
Winston Moseley, Kitty’s
murderer, is often the focal point of any new media coverage and
even today more is known about his life than anyone else involved
in the case. In this play his entire life pre and post murder are
examined. “There was a lot I did not know about Moseley at the
time I began writing the play and still a great deal more that I
want to know about him afterwards.”
Moseley is currently serving a life sentence in Comstock
Prison.
The cast of the workshop
production included: Marisa Krupa (Irene Frost, Elizabeth Moseley,
Joan Larrinaga), Amanda Wannike (Catherine "Kitty" Genovese,
Virginia Lynn, Susan Wakeman), Carl Girard (Winston Moseley),
Brianna Kaminskas (Andree Picq, Mary Anne Zielonko, Ruth Beasley),
Tony Curtis Wilborn (Alphonso Moseley, Edward Fiesler, Det.
Jacobs, Robert Mozer, Dr. Diamond), Michael Gidici (Samuel Koshkin,
Det. Carroll, Dr. Benenson, William Genovese), Chris Barbis
(Sidney Sparrow, Esq., Vito Genovese), and Shaleen Bailey (Fannie
Moseley, Pauline Moseley, Atla Morrell, Sophie Farrar).
Founded in 2000, Bread &
Water Theatre is committed to making the arts accessible and
affordable to a broad-based audience and acting as a positive
agent of change in its community. Under the artistic direction of
J.R. Teeter, BWT develops theatre that speaks to our living,
evolving, and dramatically changing world through new and rare
works of drama, and aspires to be a major force in American
theatre, providing audiences with challenging contemporary drama
and innovative community outreach programs.